So What’s So Great About This Place Anyway?

I’ve been friends with James and Donna Pearson for close to a decade. And I’ve long been a fan of James’ art. In fact, his was the first art, EBSQ art at that, that I purchased when I was an eBay newb. You can imagine how tickled I was to stumble across this post on our forums this morning:

So What’s So Great About This Place Anyway? – 6/20/2007 2:55:08 PM    

…Perhaps it is that James’ received a commission today upwards of $2k because someone spent two hours perusing through ebsq looking for just the right art to showcase in his freshly renovated house. Something to fit his style. Just one reason ebsq is so great. Thanks Amie! 

James, let me just say, your patron has muy excellent taste! Kudos!

Horses in the Wood by James Pearson

Horses in the Wood by James Pearson
Click here to see more of James’ work.

ART SEEN: Adventures in Printmaking

finished collagraph by EBSQ artist Paul Helm

A huge thanks to Paul Helm for his fantastic presentation on collagraph printing this evening! If you couldn’t make it, don’t fret! The transcript (which includes demo photos, materials list, and additional resources) will be available in the July issue of the EBSQ Zine.  In the interim, feel free to browse our extensive HOWTO library to check out past archived presentations!

Don’t Forget Tonight’s LIVE!

We hope you’ll join us for Paul Helm’s fantastic HOWTO on collagraph printing LIVE in the EBSQ Chat Room Monday, June 18th! We really appreciate that Paul will be staying up into the wee hours and joining us live from the UK to share his love for this unique method of printmaking. Hope to see you there!

Please Make a Note of the Time by your Zone:
Pacific 6 pm
Mountain 7 pm
Central 8 pm
Eastern 9 pm
Or find out what time this is where you are.

EBSQ Show “Light My Way: Artist-Made Lanterns” Clarification

In case anyone is wondering what we mean when we say “lantern”, let me clarify by saying that we mean it in the true sense of the word.

lan·tern  
Pronunciation[lan-tern]
–noun

1. a transparent or translucent, usually portable, case for enclosing a light and protecting it from the wind, rain, etc. 

2. the chamber at the top of a lighthouse, surrounding the light. 

Portability is not required as show entries can be electrified. What is important is that the light be enclosed in the manner of a lantern. As for the second definition… it must be full size to qualify. 😉 

If anyone has questions, please drop me a line at edu@ebsqart.com.
-Melissa

Artist-Made Lanterns

LIVE Rescheduled For Next Week June 18th!

We hope you’ll join us for Paul Helm’s fantastic HOWTO on collagraph printing LIVE in the EBSQ Chat Room Monday, June 18th! We really appreciate that Paul will be staying up into the wee hours and joining us live from the UK to share his love for this unique method of printmaking. Hope to see you there!

Please Make a Note of the Time by your Zone:
Pacific 6 pm
Mountain 7 pm
Central 8 pm
Eastern 9 pm
Or find out what time this is where you are.

EBSQ LIVE! June 11th, 9 PM EST

This month’s EBSQ Live:
Collagraph Printing 

hosted by EBSQ Self-Representing Artists and Paul Helm
Monday, June 11th, at 9pm Eastern (6pm Pacific)
EBSQ Chat Room


 

 

Schley Fish by Paul Helm
“Schley Fish” by Paul Helm


Collagraph – literally a print from a collage – is a highly versatile and exciting printmaking process. Whereas collage is usually the assembly of several different images, collagraph is the of different textures to produce a single image, which can be as simple or as complex as you like. It is suitable for children or for fine artists.

Collagraph appeals to artists who like an experimental approach to image making, trial and error, the happy accident and surprises. It is wonderful for creating rich textures and marks. It is an economical process and I will show you how you can use scraps and commonly found materials.

Each print from a collagraph plate will be different, so it can be called a monoprint or ‘one of a kind’ which adds value.

UK artist and printmaker Paul Helm spent 25 years in the commercial print and publishing industry. He has also had his own picture framing business and gallery. Traditional printmaking has always interested him and he likes to combine different techniques.


Please Make a Note of the Time by your Zone:

Pacific 6 pm
Mountain 7 pm
Central 8 pm
Eastern 9 pm
Or find out what time this is where you are.

June 2007: Why Artists statements aren’t just artistic BS (and other best practices for showing your art online)

TOKI by Motoko Lewis
Motoko Lewis

The results of the EBSQ Juried Artists spring jurying session were just released the other night. And one of the most cited reasons artists weren’t admitted was because of their artist statements, or lack thereof. Artist statements are a required element for juried applications, and with good reason. I know a lot of you think they’re pretentious artistic BS but they serve a very real purpose. They help people find you. Every word you write online is catalogued by search engines like Google and Yahoo. They also help people find you on this site. We’re often asked, “I had the perfect piece for Art of the Day last week; why wasn’t my work selected?” and when we go to view that portfolio, we do indeed see a perfect piece listed as “untitled” with no text about it whatsoever. If we can’t find your painting of x when searching the site for it specifically, how are others going to find you that perhaps never realized they were looking for exactly what you just created in your studio last week? “Hmph,” you say. “My art can speak for itself,” but not from the search engine’s point of view. Tell us something, anything, that is unique about your art. Maybe you’ve been really interested in texture lately. Or are on a mad India ink kick. Let us know! Your text is your voice. It helps set your work apart. It humanizes you as an artist. Don’t give us some generic, or worse yet, phony baloney bogus gallery spiel either. Be your authentic self.

Another criticism I saw fairly often in the jurors comments to applicants was that some statements were geared toward a specific sales venue, and while at times expansive, said nothing (or little) about the actual art. Now, there’s nothing wrong with including your marketing spiel per se. But when seen out of context, it’s confusing to the viewer. Keep in mind that in all likelihood, your piece will be viewable here for much longer than the duration of an auction on eBay, for example. Make sure your text is appropriate for the long haul!

Poor photography was also a culprit. On the internet, you are only as good as your online presentation. Take the time to properly crop your images. And if you can’t photograph your work to save your life, hire someone who can. It is money well spent. It doesn’t matter how amazing your art is; if you don’t present it well, you ultimately end up looking like a hack. Don’t settle for mediocrity!

Ok, so you weren’t among the 45 people who bravely put their work forward for consideration into our juried group this past spring. What does any of the above have to do with you? Everything. We can always go that extra mile to take our online presentation from “adequate” to “exceptional.” I know I personally am of the “less-is-more-artist-statement” school of thought and I know this isn’t good for my work’s visibility. (mental note–set aside time to write better artists statements this month!) Sometimes if you feel you don’t have anything to say about your work, pretend you’re describing someone else’s work. Step back, look at your art with new eyes. It’s pretty fantastic, isn’t it? Don’t just sit there. Tell us about it.

 

Amie Gillingham, editor
1 June 2007
Find art. Share art. Support living artists!

additional resources / inspiration:

 

In this issue:

Amie Gillingham   From the Editor
Melissa Morton   EBSQ Live: June 2007: Collograph Printing
EBSQ Self-Representing Artists   EBSQ Juried Artists: Spring 2007
Wendy Gonick   Live Studio: Artist Business Cards
Martin Devine   Art: A Way In VI
Amie Gillingham   Featured Artist: Veronique Perron
Amie Gillingham   Featured Artist: Matthew Trush